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A museum worker pretends to be an artist in order to impress women. When an attractive assistant director of a SoHo art gallery overhears him, she offers to exhibit his work. He plays along, which leads to a series of complications following his newfound double life. He starts falling in love with the assistant director, but her art critic fiancé grows suspicious.
A young black man pretends he is an art student in order to pick up girls at the Guggenheim Museum. When the attractive - and white - assistant director of a SoHo gallery overhears him, she assumes he is an artist and offers to exhibit his work. He plays along when she suggests how much he could earn from "his" paintings. Within days he's living a double life, paying a formally-trained artist junkie for her rejected works, and falling in love with the assistant director. Things very quickly get way out of hand. This is rather conventional plotting - we've all seen the "double-life with romantic complications" scenario many times before. This film's strength, however, lies in its use of that scenario to critique, quite savagely, both the New York art scene and black/white power relations. It exposes the lies at the heart of both in a very economical and satisfying way.
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Junkie Artist
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